The Fifth International Conference Colour in Film has a Twitter account https://twitter.com/Interna30328629 and a hashtag #CiF2020
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The Colours of LA ROUE
For our French readers, enjoy the open access paper ‘Étude sur une longue copie teintée de La Roue’ by Roger… Read more The Colours of LA ROUE
Lenticular Colour
In 1995, François Ede pioneered the restoration of lenticular colour through the release of the unseen Thomsoncolor version of Jacques… Read more Lenticular Colour
Travel regulations to the UK
For anyone concerned about travel to our conference: “If the UK leaves the EU with a deal, what you’ll need… Read more Travel regulations to the UK
2020 Keynote Speakers
We are honored to announce our keynote speakers. On Wednesday, Dr. Paolo Cherchi Usai will deliver his talk, drawing from… Read more 2020 Keynote Speakers

COLOR MANIA at COLOUR IN FILM
Now available in two separate, German and English editions, the book Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach (eds.)Color ManiaThe Material… Read more COLOR MANIA at COLOUR IN FILM
Film Coloring Workshop: “The Early Colors of Film – Tinting, Toning and Hand-Coloring”
In the context of the Color Mania exhibition, a tinting, toning and handcoloring workshop will be offered at Fotomuseum Winterthur,… Read more Film Coloring Workshop: “The Early Colors of Film – Tinting, Toning and Hand-Coloring”
Color Mania – The Material of Color in Photography and Film
On Friday, September 6, 2019, Fotomuseum Winterthur and the FilmColors research teams of Prof. Dr. Barbara Flueckiger will open their… Read more Color Mania – The Material of Color in Photography and Film
2020 Conference Dates
Colour in Film will return — once again, to NFT3, BFI Southbank, from Wednesday, March 11 to Friday, March, 13,… Read more 2020 Conference Dates
2019 Conference report from the “Eastmancolor Revolution and British Cinema” project
“The Fourth International ‘Colour in Film’ Conference took place at the BFI Southbank on the 25th– 27th February 2019. The… Read more 2019 Conference report from the “Eastmancolor Revolution and British Cinema” project