For our closing keynote, we’re thrilled to have BFI’s Kieron Webb along with industry expert Paul Collard telling us about… Read more Bleach Bypass @CiF
Re. Coronavirus
As organisers of Colour in Film our aim is to ensure that, so far as possible, the Conference goes ahead… Read more Re. Coronavirus
Vintage IB Tech print: Magnificent Obsession
On Wednesday evening, we will enjoy a public screening of an original Technicolor dye-transfer print of Douglas Sirk’s Magnificent Obsession… Read more Vintage IB Tech print: Magnificent Obsession
VeCoScan. A New Versatile, Multi-spectral Archival Film Scanner
The final results of ERC Proof of Concept Development of a New Versatile Archival Film Scanner (VeCoScan) will be presented… Read more VeCoScan. A New Versatile, Multi-spectral Archival Film Scanner
Exploring Subtractive 2 Color Systems
Subtractive two color Technicolor (actually two distinct processes, Technicolor II with its cemented prints and the Technicolor III process which… Read more Exploring Subtractive 2 Color Systems
Bursaries, Colour in Film 2020
For attendees at the Fifth International Conference Colour in Film in London, March 11 to 13, 2020, we offer again… Read more Bursaries, Colour in Film 2020
Studying Film Preservation at HTW Berlin
Interested in studying film preservation at HTW Berlin, but unable to make it to Berlin for one of the monthly… Read more Studying Film Preservation at HTW Berlin
Colour in Film on Twitter
The Fifth International Conference Colour in Film has a Twitter account https://twitter.com/Interna30328629 and a hashtag #CiF2020
The Colours of LA ROUE
For our French readers, enjoy the open access paper ‘Étude sur une longue copie teintée de La Roue’ by Roger… Read more The Colours of LA ROUE
Lenticular Colour
In 1995, François Ede pioneered the restoration of lenticular colour through the release of the unseen Thomsoncolor version of Jacques… Read more Lenticular Colour