Lenticular Colour

In 1995, François Ede pioneered the restoration of lenticular colour through the release of the unseen Thomsoncolor version of Jacques Tati’s ‘Jour de fête’ (1949):

We are thrilled that we can share François’ latest lenticular restoration work on the preceeding Keller-Dorian process at Colour in Film! Read more on the Keller-Dorian process here: https://filmcolors.org/timeline-entry/1362/

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